老虎与熊猫(2009)
Tigers and Pandas
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- 导演
- 盛志民 / Emma Tassy
- 编剧
- 主演
- 地区
- 中国大陆 / 美国 / 法国
- 语言
- 法语
- 上映
- 2009-12-01
剧情简介
“Chinese artist”: put those two words together and you get a virtual “open sesame” for biennales, art galleries and private collections. Though they were known only to a happy few early on, word of the discovery of the Chinese avant-gardes from the 80s soon spread. Being an artist in China today can be very lucrative indeed… as long as you hopped on the bandwagon at the right time. For trends change in the blink of an eye. This film gets inside an art system as well as penetrating Chinese creators’ dual identities: both predatory and exotic. Both “tiger” and “panda”. Spanning China’s eras and profound mutations over the last two decades, artists and critics, curators and gallery owners talk about the different currents that left an impression: the “political-pop” paintings of the 80s that thumbed their noses at the recent political past, the outrageous caricatures of Chinese society produced by adepts of “cynical realism,” performance art bordering on terrorism, then the multicultural 00s, steeped in manga culture, video art, internet, and more. From Suzhou Creek in Shanghai and Factory 798 in Beijing, the two main showcases for contemporary Chinese art, the film plunges into the buried memories of the earliest hippie-artist villages in the 90s, up to the first wave of demolition… The choice of a Franco-Chinese co-direction has quickly become selfevident. A dual gaze made all the more valuable if we wish to bring into clear focus the confrontation of two imaginary worlds: the West that the Chinese long for and the East that we Westerners fantasize. In so doing, the film hopes to scramble our western gaze, which seems to be stuck on a China we believe to be gung-ho and productive, in a state of fecund, inspired flux… yet which can not live up to this idealized portrait. More than ever, artists are questioning their deepest identity and what they are to become. What is the price to pay to preserve art’s independence? What does it mean to be an artist in today’s China? Or to be Chinese when you decide to be an artist?